A film starring Johnny Depp and Helena Bonham Carter, scored
by Danny Elfman and featuring vampires, witches and ghosts, Dark Shadows
is Tim Burton at his most comfortable. Based on an early 70’s soap opera of the
same name, the film is essentially a revisitation of Burton and Depp’s
childhood and shows them create something both nostalgic and unique.
It begins, as most
Burton films do, with a prologue; a fantastically gothic montage detailing the
mortal life of Barnabas Collins (Depp), his transformation into a vampire and
the subsequent curse laid upon his entire family by a witch (Eva Green). Then
in 1972, two centuries later, Barnabas is freed from his imprisonment and
returns to his mansion, Collinwood, to find a family even more dysfunctional
than the one he left.
While Dark
Shadows is Burton and Depp’s eighth collaboration together, they have still
managed to create a film that feels very different to any of their previous
work. Yes the dark humour still remains, as does the isolated, misunderstood
protagonist that instantly conjures up images of Edward Scissorhands, Willy
Wonka and Sweeney Todd, but there’s something else that stands out. Perhaps
it’s the fact that (as surprising as it sounds) the two have never made a
vampire movie before, or possibly because the cast does such a good job at
portraying the strangest group of people since the Addams family; Chloe Grace
Moretz is brilliant as the angst-ridden teenager, as is Helena Bonham Carter’s
role of the alcoholic psychiatrist, Dr Hoffman, and Depp, the main attraction,
never lets his standards fall.
Scripted by Seth
Grahame-Smith (author of Pride and Prejudice and Zombies), the film
certainly boasts the feel of a soap opera, with various affairs and family
scandals being discovered at every turn, but diehard fans of the original
television show are bound to be disappointed. This is the world of Tim Burton:
a place packed with gothic imagery and tortured characters, a world in which
absurdity prevails – Dark Shadows is more a re-imagining than a remake.
It’s not completely different from its predecessor however – the characters are
the same, the plot is vaguely similar and Jonathan Frid (the original Barnabas
Collins, who sadly passed away last month) even has a small cameo – but when
Alice Cooper makes an appearance on stage at the Collinwood house party singing
‘No More Mr. Nice Guy’, you know you’re dealing with a Tim Burton project.
Okay, it might not be Burton’s finest moment; it may lack
the gravity of Ed Wood and the simplicity of Edward Scissorhands,
but Dark Shadows is a fast moving, character driven piece of
entertainment and certainly an interesting addition to the already varied
portrayal of the vampire legend.
Definitely has its moments of fun, but they all start to go away by the last act when the tone shifts from goofy comedy to campy melodrama and takes all of the steam out of its story. Very lazy direction by Burton but definitely not terrible. Good review Felix.
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